Phnom Pehn Post - The Wandering Palate

Many colleagues today bemoan that we are losing our true winemaking artisans to a kind of oenological ‘industrial revolution’, where wines are made in labs, by recipe, to satisfy ‘target consumers’, ‘market profiles’ and ‘Wine Critics’ (gate-keepers as they are referred to by trade insiders). The result being that all we may end up with is a universal mouth-wash so bland and boring as to inspire epitaphs instead of poetry.

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Buying Wine | Related to: Cambodia, Phnom Pehn Post, Wine | 2 comments

From a lost play by Eubulos, (c.405 BC - c.335 BC)
‘For sensible men I prepare only three kraters (large vase used to mix wine): one for health (which they drink first), the second for love and pleasure, and the third for sleep. After the third one is drained, wise men go home.

The fourth krater is not mine any more - it belongs to bad behaviour; the fifth is for shouting; the sixth is for rudeness and insults; the seventh is for fights; the eighth is for breaking the furniture; the ninth is for depression; the tenth is for madness and unconsciousness.’

"In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read.

But the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defence of the new.”

As uttered by the vitriolic restaurant critic Anton Ego, in the film “Ratatouille”, after his epiphany.